Pitch vs. Volume

Pitch and volume are fundamental aspects of sound that shape our auditory experiences, but they pertain to different properties. Pitch refers to the frequency of sound waves, determining how high or low a sound is perceived. It is measured in Hertz (Hz) and is influenced by the rate at which sound waves vibrate. High-pitched sounds, like a soprano’s high note or a whistle, have high frequencies, while low-pitched sounds, such as a bass drum or a deep male voice, have low frequencies. The ability to perceive pitch allows us to distinguish between different musical notes and recognize the melody in a piece of music.

Volume, on the other hand, relates to the amplitude of sound waves, indicating how loud or soft a sound is. It is measured in decibels (dB) and is influenced by the energy and intensity of the sound waves. Higher amplitude sound waves produce louder sounds, like the roar of a jet engine or a rock concert, whereas lower amplitude waves result in softer sounds, such as a whisper or the rustling of leaves. Volume control is crucial in various contexts, from adjusting the loudness of a television to ensuring that spoken communication in a crowded room can be heard clearly.
While pitch and volume are distinct properties, they often interact and influence our perception of sound. For instance, at very high volumes, certain pitches may become more prominent or cause discomfort, impacting how we experience the sound. Conversely, extremely high or low pitches can sometimes be harder to hear at lower volumes. Understanding the difference between pitch and volume is essential not only for audio engineers and musicians but also for everyday communication and noise management, enhancing our ability to appreciate and manipulate sound in our environment.
Erik Martin, RPT

“It is incredibly rewarding to me when I get the opportunity to take a piano from being barely playable to being fully functioning and looking new again”

— Erik

Professional Technician

Erik grew up in O’Fallon, Missouri. His passion for the piano led him to Boston where he studied piano technology at North Bennett Street School, the oldest trade school in North America and widely considered to be the premier school of piano technology. Upon graduation, he went on to pass the rigorous RPT certification with the Piano Technician Guild which requires technicians to pass a series of tests including matching a “Master Tuning” aurally (by ear) without the aid of an electronic device. Erik became an RPT at age 22, making him the youngest RPT in St. Louis, accomplishing all of this while overcoming the added challenge of a hearing impairment he has had since birth. After school, Erik worked as a technician rebuilding pianos for the largest piano rebuilder in Portland. During this time, he developed a love for restoring the sound quality and aesthetic beauty of the instruments.

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Continued Education

Erik attends national events with the Piano Technicians Guild and continues to train with other RPTs locally. While he brings a wealth of knowledge from his studies in Boston, he knows the importance of continuing to develop his craft by embracing opportunities to learn from others in the piano industry.

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The Origins of Tone: An Abridged History of the Piano Sound